Words have meaning, type has spirit. — Paula Scher (2010)

All past attempts to set standards for good typography, all generalized and ‘objective’ statements about design have produced nothing but a lot of confusion, nonsense and gibberish. Whether one involves the ancient Greeks or the New Objectivity, the Golden Ratio, or God, Wittgenstein or Marx, designing is a personal activity. — Piet Schreuders (1997)


sustainable industry lab
root bv
murals inc
projekt lern raum
vroeg
rhein maas zentrum
fake me hard
rotterdam vakmanstad
deutschlernen

Murals Inc. / Are we safe now? / Van Nellefabriek / 2021

Murals Inc.

Murals Inc. is an agency specialized in contemporary murals and questions the role of murals in our current times. The office is broadly oriented and looks for connections between many painterly expressions, from ‘public murals’ to ‘urban art’ and from ‘text-based art’ to ‘(post)-graffiti’.

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world water ltd.
rikkert paauw
mujo
non issue
quoc thang
kuleshov
exhibitionist
psi
future of work

Rotterdam Vakmanstad / Leerlijn Sport / Judo / 2018

Rotterdam Vakmanstad

Rotterdam Vakmanstad is a bottom-up research model for urban revitalisation and renovation, focused on the specific social-cultural and socio-economic situation of Rotterdam. Rotterdam Vakmanstad tries to link cultural education and social skills in such a way that youth will be taken seriously for their skills and abilities.

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Rotterdam Vakmanstad / Visuele Identiteit / Typologie / 2012
Rotterdam Vakmanstad / Visuele Identiteit / Typologie / 2012
Rotterdam Vakmanstad / Visuele Identiteit / Typologie / 2012
Rotterdam Vakmanstad / Visuele Identiteit / Typologie / 2012
Rotterdam Vakmanstad / Visuele Identiteit / Typologie / 2012
Rotterdam Vakmanstad / Visuele Identiteit / Typologie / 2012
Rotterdam Vakmanstad / Visuele Identiteit / Typologie / 2012
Rotterdam Vakmanstad / Visuele Identiteit / Typologie / 2012
Rotterdam Vakmanstad / Visuele Identiteit / Typologie / 2012

Niet Normaal / Uitmarkt / Amsterdam / 2009

Niet Normaal

‘Niet Normaal – Difference on Display’, Beurs van Berlage, Amsterdam, 2010, sought to uncover normalization strategies in western society and its various technologies. It aimed for an inclusive, pluralistic society and offered the floor to a large diversity of artists without labelling them before they were allowed to speak.

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kommerz
ja natuurlijk
the substitutes
bandito espresso
camillo 2.0
niet normaal
sjoerd litjens
volksrekorders
autres directions